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  • Alexandra Biltz

DIE AS A MAN OR LIVE AS A SINNER




“Hope is a good thing, maybe the best of things, and no good thing ever dies.” These are the words of someone who was wrongly accused and sentenced to be detained for life. Clearly, atonement and redemption were not inevitable since being “framed up” can understandably drive a man a thousand miles far from what he was before. Though not impossible, he could be transformed and renewed in the most unusual and sinful place on the planet.


If we talk about the cult classics that snatch our hearts and leave a mark on our souls, Shawshank Redemption will unquestionably top the list. Films like these were truly well-deserved to be remembered and celebrated as time passes by. It was a film based on the novel by Stephen King, produced by Niki Marvin, and directed by Frank Darabont. Shawshank Redemption was also hailed as the highest-rated film on IMDb garnering a score of 9.3. It is one in a million kinds of drama films, bagging 21 wins out of 43 nominations from the different distinguished awarding bodies, and remains one of the most sentimental films about hope and friendship.


The movie depicts the story of Andy Dufresne, starring Tim Robbins, who has been sentenced to two life terms for the “murder” of his wife and lover. Although convicted, he surprisingly has a stiff physicality, calming personality, and subtle humor. Morgan Freeman played the character of Red, a wise African American inmate and a veteran of the prison system with no hope of living his life outside the prison. The overall aura of the film created a warm and sympathetic emotion leading to a more engaged audience with psychological infliction that will be engraved to them for days, more so, for a lifetime.


Shawshank Redemption, in my biased view, was perfectly constructed. Though some audiences may find the pace a bit boring and prolonged, the profound emotions and on-point portrayal of each character created a cinematic experience that dragged the viewers’ emotional attachment towards the film and made them part of the prison community. It incorporated Freeman’s calm, deep, and observant voice in narrating the bond of two prisoners which is the epitome of therapy allowing us to be part of and dwell in the story itself.


The cinematography was not flashy and bright but rather blended blue and gray colors that partner with the film’s despair and tedious penitentiary atmosphere. At every angle of the movie, there is a reminder that freedom is not apparent at any moment; the tainted walls, the minimal actions that each character can engage in, the tacky beer they enjoyed sipping under the sun, the repetitive clothes they wear, and even the blue sky was minimized. The captured shots also gave emphasis to the prison setting – showcasing its largeness and detailed geography – establishing a notion that Shawshank is an inescapable structure, that is what they thought. The inmates were almost wearing monotonous maong-colored uniforms, indicating that prison life follows a routine and that they are slaves of the system. As for the uniformed personnel, they wore well-ironed and spotless outfits, making their presence throughout the film superior to others.


Shawshank Redemption portrays the harshness of life and shows how one is on a continuous soulful journey to find spiritual breakthroughs. The message is clear – prison life is real life. It takes viewers through a point of self-discovery and what man can do in his refusal to lose hope. Furthermore, the unfairness of the prison officials is evident in some scenes, displaying the acts of an unauthentic and compromised justice system. 29 years after its release, this film has steadily impacted and transcended through generations with its striking message leaving watchers positively heavy-hearted.


To those who have not seen this cinematic gem, I highly encourage you to do so. Shawshank Redemption is one of those rare films that tap into the humanism and vulnerability of viewers. It is more than just a drama that conveys sympathetic and appealing elements but rather a genre that breathes life and will definitely live through decades because of its societal and human relevance, and how it captures the authenticity of transgression. Though not all audiences will dwell on watching deep prison drama films, I assure you that Shawshank Redemption will be the exemption and will leave you with happy tears and renewed spirit.


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